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December, 1941
| Did you know... |
· Marston
signed the strip as Charles Moulton, a combination of his and
Max Gaines' middle names.
· Five months after her debut, Wonder Woman was rated a
40-to-1 favourite over her nearest male superhero rival in a
readers' poll conducted by the publishers.
· Wonder Woman wasn't Marston's only invention; he's
also credited with inventing the first lie detector.
· Wonder Woman's liberal use of a lasso to tie up
villains -- and all the sexual suggestiveness that encouraged --
added to the list of charges that anti-comic activists laid
against comics in the 1950s. In one 1948 story, there were no
fewer than 75 panels depicting bondage. See example from Wonder
Woman 21 below. |
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IF YOU THINK WOMEN IN COMICS TODAY have it
tough, imagine what it was like for them in the 1940s. Sure, the
heroines today have to deal with artists who give them skintight
uniforms, 12-inch high heels, and impossibly large... um, accessories.
But back then, a super-woman's lot in life was really tough.
To start with, there were no super-women. Until 1941, the only
women in superhero comics were damsels in distress, girlfriends,
relatives (although rarely were they wives -- superheroes liked the
bachelor life) and secretaries who were always on the verge of
accidentally discovering their boss' secret identities. The few female
heroes that did appear were never taken seriously by either the
publishers or the public. The "Blonde Phantom," for instance,
fought crime in a full-length evening gown.
This concerned a psychologist named William Moulton Marston, who
considered himself a keen observer of popular culture. After he wrote an
article criticizing comics and their influence on young minds,
All-American Comics editor Max C. Gaines invited him to offer his advice
on ways to make comics more psychologically beneficial for young
readers.
![[Click to view larger picture]](wonderwoman69a.jpg) |
| A typical early issue of Wonder Woman,
with all the familiar trademarks -- plane, lasso, costume -- in
place. |
According to Marston himself, the comics' biggest drawback was the
overwhelming masculinity of the business. "A male hero, at best,
lacks the qualities of essential love and tenderness which are as
essential to the child as the breath of life," he wrote. He
proposed creating a female superhero, one who would possess "all
the strength of a superman plus all the allure of a good and beautiful
woman."
Despite the inherent sexism in his writing, he was right in that
women were severely underrepresented in comics. Wonder Woman, the result
of Marston's musings, first appeared in a short story in All-Star
Comics #8. Appearing in her trademark star-spangled costume, she was
a hit, and took over Sensation Comics (January 1942) before
moving on to her own title, Wonder Woman, in the summer of 1942.
She was created to give children -- especially young girls -- a positive
role model, but her appeal went beyond anything her creator could have
imagined.
Still, despite her strength, invisible plane and truth-telling lasso,
Wonder Woman was a product of her time. When she joined the Justice
Society of America, she was made the group's secretary -- even though
her title outsold the titles of any of the other JSA members. As well,
the temper of the times dictated that she have a romantic interest
(military man Steve Trevor) and a humourous sidekick, a plump woman
called "Etta Candy" who was hardly a kind representation of
women with weight problems.
But times changed, and so did Wonder Woman. As one of the few heroes
to survive the 1950s, she reached a new audience in the 1960s and 1970s
by tackling issues that North American women were facing themselves. And
when DC Comics relaunched her series in 1987, the writers went back to
the drawing board, ditching her contrived secret identity and drawing on
her rich mythological history to create a hero naive enough to the ways
of "Man's World" to be shocked by it, but wise enough to know
she had the power and the duty to change things for the better.
The fact that Wonder Woman has lasted so long is enough to give her a
place on this list. The fact that she's become the greatest female
superhero in comics history -- and an inspiration to women everywhere --
is enough to make her an icon.
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